Starting to apply the warmer flesh tones using Alizarin, Cad Red, Italian Pink and Zinc White. It's still far too pale and evenly toned, although the Zinc White is really coming into its own. Will let this get a bit tackier and then really amp up the warm tones and build in some blues.
I need to start thinking about how the face integrates into the ground and the rest of the figure. Maybe some loose brush-strokes and a series of glazes.
I'd really like to bleed some colour across the work - Maybe that Alizarin across the face; I'll see what happens when the intensity builds.